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RX 6 offers powerful new features and an enhanced workflow built to meet the needs of professional engineers in music, post-production and broadcast. With this release, we have addressed some of the most pressing problems encountered by our veteran users. Welcome to the most dynamic edition of RX to date!
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Exponential Audio reverbs for music production. Whether you’re mixing pop, rock, hip hop, electronic, or orchestral music, you can bring extraordinary dimension and detail to your productions with Exponential Audio reverbs. The latest version of iZotope’s best-selling restoration software adds powerful new modules, as well as a Post Production Suite bundle aimed at film and TV applications. It seems that along with Christmas, another regular annual event we can rely upon is a new version of iZotope’s RX Audio Editor software.
Clean up multiple tracks at the same time in the RX Audio Editor
- Composite View: Collect up to 16 audio files into a single, composite view within the RX Audio Editor. Make an edit, or select a process, and have it instantly applied across every file, saving hours on film scores, drum tracks, live recordings, and more.
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3 new modules in RX 6 Advanced built on iZotope’s innovations in machine-learning and intelligent signal processing
- De-wind: designed to reduce or remove intermittent low-end wind rumble that occurs when wind blows into a microphone.
- De-rustle: removes distracting lavalier microphone rustle and other rustling sounds from your dialogue.
- Dialogue Isolate: extracts dialogue from noisy backgrounds and lets them take center stage.
New tools for music, podcasts, and audiobooks, available in RX Standard & Advanced
- De-ess: Tame harsh sibilance and piercing transients with our new Spectral De-essing algorithm and a VCA model for a more classic sound. De-ess is available as a module and as a plug-in.
- Mouth De-click: Remove mouth clicks and smacks with this new module and plug-in built specifically for cleaning up dialogue, vocals, and voiceovers.
- Breath Control: Attenuate breathy tracks without destroying the life and intimacy of the performance.
- De-bleed: Reduce or eliminate bleed on drums and other acoustic instruments like piano, vocals, guitar, and even click tracks.
- MP3 Export: Export and Batch Process MP3 audio files directly from RX 6 Audio Editor.
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Improvements & optimizations across all of RX
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- Find All Similar: Locate and identify problem sounds like beeps, bird chirps, or clicks more quickly and accurately with the addition of Find All Similar.
- Module List Filters: select the features you use most often and save them as presets for different workflows.
- Low-latency De-click: an improved algorithm inside the De-click plug-in for real-time processing.
- Refined UX & UI: Find the tools you need faster and use them more efficiently with extensive improvements to usability across RX Audio Editor and RX Plug-ins.
- RX 6 Elements: The powerful tools of the RX Plug-in Pack (De-clip, De-click, De-hum and Voice De-noise) are combined with the RX 6 Audio Editor for analysis, spectral editing, and offline processing.
Don’t tell the brass, but I’ll let you in on a secret: as an iZotope blog contributor and mix engineer, I wasn’t too enthused when I heard about iZotope’s assistive audio technology. I thought it would be cheating to use it.
The reason I can share this, of course, is that I’ve come around to the other side—and it didn’t take long. These assistants can be of vital, practical use in the real-world. They can save time in the face of looming deadlines, inspire creative decisions in the face of boredom, and even bring multiple ideas of how to tackle a job to the table (much like a human assistant can).
I pride myself on coming up with repeatable, action-oriented ways of solving audio problems. With iZotope’s assistants, I’ve got more tricks up my sleeve, and new ways ways of solving problems judiciously.
Which mac laptop works best with garageband. Use the intuitive controls to enable and disable individual sounds while you create a beat with kick, snare, cymbals, and all the cowbell you want. From EDM, Dubstep, and Hip Hop to Latin, Metal, and Blues, whatever beat your song needs, there’s an incredible selection of musicians to play it.Each drummer has a signature kit that lets you produce a variety of groove and fill combinations. Jam with drummers of every style.Drummer, the virtual session player created using the industry’s top session drummers and recording engineers, features 28 beat‑making drummers and three percussionists.
I shall share them with you presently.
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1. Ozone’s Master Assistant as a mastering limiter
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Sure, you can use Ozone’s assistive audio technology as a way to get a clean master. But I’ve found a different use for Ozone’s Master Assistant in my workflow: I often use it as an intelligent limiter, either at the beginning or end of the process.
In this article, I advised you set up the final level first before tweaking everything else. You can engage Ozone’s assistant as a way of achieving this level in a way that doesn’t murder your dynamic range, and start tweaking after setting it up.
The equalization decisions are gentle. They can be informative, and they can also be disengaged. The compressor, in my experience, is hardly deployed; when it is, it usually appears in multiband, and frequently targets your low end. This gives you an indication (or, a corroboration) that there might be some low-end issues for you to sort out.
In this article, I advised you set up the final level first before tweaking everything else. You can engage Ozone’s assistant as a way of achieving this level in a way that doesn’t murder your dynamic range, and start tweaking after setting it up.
The equalization decisions are gentle. They can be informative, and they can also be disengaged. The compressor, in my experience, is hardly deployed; when it is, it usually appears in multiband, and frequently targets your low end. This gives you an indication (or, a corroboration) that there might be some low-end issues for you to sort out.